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How to Build Story in the Middle – Part 1
How to develop Act 2 in the four-act structure to expand your story and get readers invested in the story.
Give Your Characters the Wrong Ideas
Fallacies in Logic and Rhetoric Errors in logic and rhetoric are a great basis for characters misrepresenting themselves, obfuscating the truth, and creating dialogue based on false information. Especially in mysteries where the protagonist uncovers the truth using fallacies by placing them in the mouths of your characters will set your protagonist down false paths….

Background Research for Your Mystery
Research Before You Write The Story The first round of research is background material for your story. You may look for settings, hidden alleys, a great beach. Murder weapons or poison. The psychology of being a mistress. How to clean a Glock. Pharmaceutical drug research lab procedures. Base your research requirements on your story premise….

The Sleuth Triumphant – Confront the Killer at the End of Your Mystery
In the first act of the mystery, you laid out all your detective’s skills one by one as new situations arose. In the middle, you frustrated all those skills by exposing your sleuth’s weaknesses. Now at the end, you can bring back those skills and strengths as your detective confronts the killer. Your detective has…

Who’s On First In Your Story?
Tips to master your story’s beginning. Character, setting, voice, action, and the first sentence all work together to draw your reader into your story.

Read to Write
Why Read? You read long before you started writing. You probably started writing because you are a reader. Jane Friedman, writing and publishing coach/blogger underscores reading as the basis for good writing: Establish a reading habit that matches roughly what you hope to write and publish. Make it as important as anything else you schedule…

