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Avoid A Sagging Middle: The Detective Finds the Killer’s World

Avoid the Sagging Middle in Your Mystery Mystery writers have an advantage over many other genres when it comes to keeping the middle from sagging. Up to the middle the detective has delved into the evidence and suspects in the victim’s worldThe essence of keeping a reader turning pages is heightened tension. Rather than episodic…

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The Detective In the Victim’s World

​The Detective In The Victim’s World Without A Map ​As you take your detective and your readers deeper into the story in the first half of Act II, your detective enters a new world, the victim’s world. As he wanders the victim’s world he gathers bits and pieces of information, meets suspects and in their…

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Headed Toward Trouble: Getting to Act II of Your Mystery

From Murder to Trouble in Your Mystery In the first five chapters you introduce your detective, connect your detective with the murder, and start your detective off with a plan to find the murderer.Your main goal in those beginning chapters is to bring the reader into your story world, get them empathizing with your detective—even…

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How To Structure Your Story Idea

From Story Idea to Story Summary ​Once you create your one-sentence story idea, build out to a summary paragraph to include characters, main story points, and the climax. Expanding your story idea builds your story writing momentum. Years ago Randy Ingermanson proposed a way to summarize your story highlighting the important pivots: three disasters plus…